|
I
am Cailleach, the meager blue hag.
My face is blue
My teeth are red
And I have only one eye.
I am the Winter Queen.
My name means "dark of the sun".
I am ruler of the "Little sun of winter."
A
very ancient Hag-aspect of the Goddess who was known by many names
throughout the Celtic countries. In
the Irish Triads, the Cailleach is considered one of the three great
ages:
(the
age of the Yew Tree, the age of the Eagle, and the age of the Hag of
Baere)
Illustration
by Jill Smith
www.jill-smith.co.uk/.../
pages/cailleach_jpg.htm
The
Cailleach Bheara, meaning "Old Woman" or "Old Wife,"
is found widespread throughout both Ireland and Scotland. Many
mountains, lakes, and rivers are said to have been created by her. Even
some of the cairns are reputed to be piles of stones which fell from her
apron. The Cailleach Bheara forms a triple goddess with the Cailleach
Bolus and the Cailleach Corca Duibhna. It is said that it was she who
let loose the rivers, shaped the mountains, and swung her hammer over
the green grasses. The Cailleach was said to possess the ability to
change from an old ugly hag into a beautiful young maiden. In Ireland,
she is also called the Sentainne Berri.
In
Scotland, the Cailleach is a blue-faced hag and represents the three
months of winter. Her reign is broken by the appearance of Brigit at
Imbolc. At Beltaine, the Cailleach hides her staff underneath a holly
bush. In the game of Sibyl, which is very similar to the game of Snakes
and Ladders that children play today, the Cailleach was the Dragon. This
game was played on a seasonal basis and demonstrated the battle which
was fought between the Cailleach Bheara and Brigit.
The Romans equated the Cailleach with one of their goddesses named Juno.
Later, the Cailleach took the name of Nicneven as the "Bone
Mother" and was said to be seen flying through the air followed by
a league of demons at Samhain.
Within Manx folklore, there was the Cailleach Groarnagh, an "old
woman of spells," who was is considered to be associated with the
weather. It is said that if Imbolc is a good day, she will come out to
warm herself, but if the day is wet and gloomy she will stay inside. Her
bad mood is attributed to her having fallen on a crevice on a mountain
located on the Isle of Man called Barrule, or sometimes because it is
said that she was thrown out to sea and drifted back to shore.
According to the Yellow Book of Lecan, a 14th century manuscript, the
Cailleach Bheara was also known as Bui or Boi, meaning
"yellow." She was from a people known as the Corcu Duibne. It
is said that the Corcu Duibne "shall never be without some
wonderful cailleach among them." The Cailleach Bheara had fifty
foster children in Beara, which is a peninsula located in West Munster
in Co. Cork. The descendants of her children became many peoples and
races. She had seven periods of youth, and her mates died of old age. Of
these, one of her primary mates was acclaimed to have been Lugh. Even
the land of the Corcu Duibne held a lot of history. It was there that
Cessair landed on Dun na mBarc, and Banba met the sons of Mil on Sliabh
Mis. This area is the home of Sen Erainn, which means the "Old
Ireland," and refers to an ancient aboriginal people whose lineage
can be traced back to Lugaid, son of Ith. Among the area of the Corcu
Duibne was the Gleann na nGealt, which was a valley filled with wild
men. Some legends, however, refer to the Cailleach as Evlin and describe
her as being descended from the Tuatha de Danann.
A local story from the island of Beare is told about two old women that
were separated by a row across the water. One was on the mainland, and
other lived on the island. The two hags threw hurling sticks at each
other, and consequently these became the standing stones on in the
middle of Beare island and others the stones near Castletownbere.
An account from 1894 tells how in Co. Meath, there is a set of chambered
cairns on a hill which is known as Sliabh na Caillighe, meaning
"the Hag's mountain," or "the witches' hills." It is
located near Oldcastle and Lough Crew. The hag, whose name was unknown
by the shepherd who told the story, had brought the stones in three
apronfuls to the three primary cairns. She placed a stone to serve as
her seat, or chair, on a hill point called Belrath. Now, the stone is
called Chair Cairn. This stone is ten feet long , six feet high, and two
feet thick and is hollowed out in the center. There are notable zig-zag
designs and concentric circles engraved in the stone. Around the base
and in front of the stone there is a fairly large quantity of quartz
which has been broken into small lumps and strewn around. It is said
that Cailleach placed the chair here did this so that she could look out
upon the countryside whenever she wanted to. The hag loved to ride a
pony and would leap from hilltop to hilltop. One day, the hag rode the
pony so hard that it fell down, and both the horse and the rider were
killed. The Cailleach in this story also gives her name to Bearhaven in
Co. Cork.
Another story is regarding the Chair Cairn explains how the Cailleach
came from the North to perform a magical feat to obtain great power if
she was able to succeed. She took a large apron of stones and dropped
some on Carnbane and created a cairn there. Then, she jumped to the top
of Slieve-na-cally, otherwise known as Hag's Hill, and dropped another
cairn. Again, she jumped and deposited yet another cairn on another
hill. If she could make the last leap and drop the last cairn, she would
be granted the power she sought. She tried to jump, but instead slipped
and fell, and consequently broke her neck killing her. The Cailleach was
then buried in the nearby area.
The Cailleach Bheara is thought to have originally been a Spanish
princess named Beara. It was prophesied that she would go to the River
Eibhear on a certain night and discover a salmon dressed in colorful
garments. On that night, she would meet her future husband. As
prophesied, that night came to pass and she eloped with Eoghan Mo'r of
Magh Nuadat. They set sail together for Ireland and upon their arrival
landed on the North side of Bantry Bay. Eoghan named the peninsula after
his wife, Beara.
The
Dingle Peninsula is considered to be Cailleach Country. There are more
than 2,000 archaeological sites in this area, many of which are thought
to pose religious significance. The mountain range of this area is rules
by Mish, a personification of the Cailleach. In Fact, almost every
aspect of this area is named after the Cailleach Bheara. In the area of
the Cliffs of Moher, she is called Bronach, which means
"Sorrow." At Hag's Head, she is called Mal. Her names and
variations are quite numerous.
On the Isle of Colonsay, Argyllshire, the Cailleach Uragaig is also
considered to be associated with the winter months. It is said that she
keeps a young girl imprisoned and avoids the attacks of the girl's lover
by shape-shifting into the moist gray headland which is above the sea.
The Cailleach is also featured in the sovereignty myths, such as the one
found in the telling of the Nine Hostages. Niall and his brothers
encounter an old woman which they must kiss, and only Niall and Fergus
resist the urge to kill her became she is so ugly. Fergus kisses the hag
on the cheek and is rewarded with sovereignty over all of Ireland, and
then the hag turns into a beautiful young woman. A poem from the tenth
century describes the Cailleach as a frail old woman who had gone into a
nunnery and looks back on her life as being the beloved of kings. It is
believed that this was a Christian rewriting of the sovereignty stories.
Also to note, the English had a habit of translating the word cailleach
to mean nun.
There is another story that is told about the Cailleach in the area of
Slyne Head. It was said that she was on the sea with her children and
that they were freezing in the cold darkness. The cold chilled them all
the way to the marrow of their bones. The Cailleach then explained to
the children that they could warm themselves by baling the sea in and
out of their boat. By doing this, the children were able to warm
themselves until morning.
In the folklore of Ireland and Scotland, the term cailleach was used to
denote the last sheaf of the harvest season. A variety of things were
done with the last sheaf depending on the locale. Some of the more
popular traditions included feeding the sheaf to livestock, tilling it
or shaking it over the fields, and keeping it throughout the winter
months. Young girls were often fearful of tying the last sheaf for fear
that they would never be married. In Scotland, one folklore tradition
involves tying the cailleach with a ribbon and hanging it up on a nail
until Spring. On the Isle of Lewis, they would take the cailleach and
fill her apron with cheese, bread, and a sickle.
Although
reference is made to her beauty, she is also described as having an eye
in the middle of a blue-black face, red teeth, and matted hair.
She controlled the seasons and the weather.
The
Cailleach Bheur of the Scottish Highlands, is a blue-faced hag who
personified winter, is one of the clearest cases of the supernatural
creature who was once a primitive goddess, possibly among the ancient
Fomorians before the Celts. She
has various facets of her character in which there is a striking
resemblance to the primitive form of the Greek goddess Artemis.
At first sight she seems the personification of winter.
She is called the daughter of Grainne, or the Winter Sun.
There
were two suns in the Old Celtic calendar; the Big Sun, which shines from
La Baal Time, or Beltane Eve to Samhain, and the Little Sun which shines
from Samhain to Beltane.
The
Cailleach was reborn each Samhain and went about smiting the Earth to
blight growth and then calling down the snow.
On Beltane Eve she threw her staff under a holly tree or a gorse
bush - both are her plants - and turned into a grey stone, therefore
making lonely standing stones sacred to her.
In
some tales, she does not turn to stone, but rather appears at the house
where the fiana lay and begs that she might be allowed to warm herself
at the fire, and when she crept into his bed he did not repulse her,
only put a fold in the blanket between them.
After a while he gave, "a start of surprise," for she
had changed into the most beautiful of women that man ever saw.
So, it would seem that the Cailleach represented a goddess of
both winter and summer.
So
is also her guardian spirit a number of animals. The deer have that first claim to her. They are her cattle, she herds and milks them and often gives
them protection against hunters. Swine,
wild goats, wild cattle, and wolves were also her creatures.
In another aspect, she is a fishing goddess, as well as the
guardian of wells and streams. She
also turns up in Manx-Gaelic as Caillagh ny Groamagh.
Cailleach
She with the all knowing eye of two faces
One of royal blue and youth
Beautiful and desirable
Giving birth to a nation
Our mother who nurtures us
Cradling us to her bosom
She with the all knowing eye of two faces
One of deepest black and knowledge
Withered, aged, older than time
Standing guard over her people
Guiding them back to her ancient womb
She with the all knowing eye of two faces
Mother and Crone
With us at the beginning and at the end
She with the all knowing eye of two faces
Sees all injustice
A quick and swift warrior is she
Do not fear the unleashing of her power
She with the all knowing eye of two faces
Teaches through destruction
To renew the life process
She with the all knowing eye of two faces
Cailleach
(c)1999 Casey Scathach Aje
Resources
Kisma
Stepanich, Faery Wicca Book One, Llewellyn Publications, 1996, pg. 48-49
Ann, Martha and Imel, Dorothy Myers. Goddesses in World Mythology.
(Santa Barbara, California: ABC-CLIO, Inc., 1993). Pages 506, 507, and
524.
Bonwick, James. Irish Druids and Old Irish Religions. (New York: Arno
Press, 1976). Page 14.
Ellis, Peter Berresford. A Dictionary of Irish Mythology. (Santa
Barbara, California: ABC-CLIO, Inc., 1987). Pages 40, and 53.
Hartley, R. B. The Brigantes. )Gloucester: Alan Sutton Publishing, Ltd.,
1988). Page 86.
MacKillop, James. Dictionary of Celtic Mythology. (NY: Oxford University
Press, 1998.)
Rees, Alwyn and Brinley. Celtic Heritage. (London: Thames and Hudson,
1967). Pages 135 and 136.
Rhys, John. Celtic Folklore: Welsh and Manx. (NY: Benjamin Blom, 1972).
Page 393.
Rolleston, T. W. Celtic. (London: Senate, 1994). Page 126.
Sellner, Edward C. "Brigit of Kildare-A Study in the Liminality of
Women's Spiritual Power." Cross Currents. Winter 1989, v.39, n.4,
Pages 402-419.
Smyth, Daragh. A Guide to Irish Mythology. (Black Rock, Co. Dublin:
Irish Academic Press, 1988).
Wood-Martin, W. G., M.R.I.A. Traces of the Elder Faiths in Ireland. vol
1. (Port Washington, NY: Kennikat Press, 1902.)
|