Ivy

 

 

 

“I am a ruthless boar”

Boar © 2001 Julia Vakser

 

I am a thicket which holds the roebuck.

I have tasted joy.

I have strength born of ecstasy.”  

 

 

Gort

(GORT), Ivy

The Letter G

The Eleventh Consonant

The Second Joint of the Index Finger

  

Stone - Yellow Serpentine  

Color - Blue  

Bird - Mute Swan

Bendis  

 

 

I am a ruthless boar” 
 
In this month Amergin sings, "I am a ruthless boar." The Boar is the last of the Four Sacred Animals to be mentioned by the poet. We have seen the boar several times dealing with the "hinge" of the year, the passage across the boundary between Light and Dark. The Boar is the creature that represents the unending continuity of divine energy and is seen as chased from one realm of energy-manifestation to the other, it’s expression changing, becoming either a dark, creature of destruction or a solar teacher. Just as the Stag, who is the Boar's counterpart, changes from the antlered apparition to the earth-bound power at the heart of the greenwood, so also the Boar, at Samhain moving into darkness, is now the harbinger of death, taking the active energy of growth into darkness. The green energy of full light, who rose to triumph half a year earlier now is killed by the Boar as the hunt replays itself. Death is victorious, the forces of growth are stilled, soon the leaves will fall from the trees, and the lengthening nights will establish the rule of the Dark. 

 

But the Boar's descent into the Underworld is not purely a journey of destruction: because it is basically, in spite of any other roles it may play, a creature of fertility, it plants, within Death itself, the seeds of renewal. It is as though the single, driving force of growth manifest during light of the year had been smashed, but its many fragments retain life within themselves and, buried like seeds in winter soil, they will be nurtured by the darkness of the dark until the next bright season. 

The weakening of the sun and the cooling of the air should alert us to the waning of our own expanding energies and the need to face the ending of this phase of our existence, The last of the energy must be used wisely, in a way that ensures the survival of what we have already made and that facilitates the resumption of activity at a later time. Already, from far away, we hear the boom of the sea on the cliffs of Samhain, calling us down again into the depths. 


As the moon waxes, we see the wild hunt of Death charging toward us, lighting up the Land with bright autumnal colors in its throes, and we gather up those shreds of beauty to treasure in our souls. On the Full Moon the hunt has reached us, we come face-to-face with the Boar, and we hold up the gift we have prepared, the shape we have chosen to best summarize what we have achieved through this year's activity. With the moon's waning we look serenely inwards, as another year ends, and a new cycle is about to begin. 

I AM A BOAR 

I am a boar on this high place

In the first fresh frost
On autumn’s face;
The hunters call to sound the chase
But I am bold
I will run this race.
For many moons we roamed this land, Where others fell

I learned to stand;
The old and great join in the dance
Courage and cunning are my inheritance.
 
On the earth, in the air, Through the fire, by the water,

I am VALOR, the eleventh month’s daughter.
 
© Chris Carol 1979. © 1948, 1966 by International Authors N.Y.  

This is the Tree for the Eleventh Moon ~ The Sacred Trees named in the Ogham.  The Ogham letter is Gort - the Tree is Ivy 

The Animal is the Wild Boar 

It's energy is Tenacity

Raw survival instinct enabling triumph over circumstances

From The Song of Amergin  “I am a ruthless boar: ruthless and red”

Entwining Ivy represents the embracing and confining female principles of life. 

Through conception and birth, the male life force is given form by the female body, but in giving life substance so too does women bring death into being. 

Ivy is the Thirteenth Moon's tree. It is sacred to Osiris and Dionysus.  Dedicated to resurrection jointly with vine because they grow spirally. 

An Ivy Bush – according to the Oxford English Dictionary stands for “ a place of concealment or retirement.”

Saturn’s Sacred Bird the Golden Crest Wren always built her nest in an Ivy Bush.

There is a well known revelry, celebrated in medieval English carols, between the Holly-boys and the Ivy-girls which symbolizes the battle of the sexes.  Another custom was to bind the last harvest sheaf in Ivy and call it the Ivy Girl.

The symbolism of the boar is used because the cycle falls during boar hunting season and the boar is the beast of death symbolizing the “Fall” or the beginning of death, of the Old Year.  But the Ivy’s serpentine spiraling signifies resurrection. Again, a reminder of the birth/death cycle of life.

Sacred to numerous deities, Ivy is used to produce Ivy-ale, an extremely potent drink of the Middle Ages. Ivy leaves were chewed for their toxic effect in the Bacchanal revels celebrated at this season in Thrace and Thessaly; the intoxicated Bassarids, waved branches of Silver Fir  - sacred to the birth goddess – wreathed in a spiral of yellow-berried Ivy.  The dark-green, shiny leaves of Ivy, being a five pointed star, made them especially sacred to the Great Goddess, connecting with the “mysterious” group of five British goddesses, the “deae matronae.”

Ivy attracts the last bees of the year, enhancing its religious importance, there having been numerous Bee-goddess cults.

In this month, the Mute Swan, (Geis), whose colors of plumage, black legs, and red bill make it especially sacred to the White Goddess, prepares to follow her companion the Whistling Swan (bird from Autumnal Equinox – Eadha – Aspen) who is about to fly off with her young.  The smoke of weed-fires, the haze on the hills, and the skies before the coming rains, are all Blue (Gorm).

Magical properties - gender, feminine, planet - Saturn, element - water, deities - Bacchus, Dionysus, Osiris -  powers - protection, healing, ritual uses - the thyrsus used in worshipping Bacchus was often wound round with ivy.  Carried by women for good luck, worn by brides for same reason.  Guards against negativity and disaster.  Also used in fidelity and love charms.

There is fierce and determined power in Gort.  It gives the boar-like tenacity to apply the will to do difficult and intricate work.  The Ivy is a sign of development and transformation of the self.  It indicates you may soon be involved in a change in your business or educational life and there are perhaps gains to be had in connection with it.  However, the path may be fraught with pitfalls.  There may be those who are envious of your accomplishments.  Seek the best guidance in what you do.  The main challenge is not to get caught up in the tools of the transformation process.  Remember that the tools are not the ends, but only the means to give rise to something emerging from the depths of your psyche.  Keep your focus on your true goals. 

Lesson of the Ivy

Ivy reminds us of the movement of the heavens and the way this is reflected on the earth.  It has the ability to bind all things together.  It can wander freely, linking tree to tree, or form dense thickets that block out the light and restrict passage.  Ivy brings shelter or overwhelming darkness and reminds us that where there is life, there is also death.  Ivy represents the wandering of the soul in its search for enlightenment and it carries a warning to be sure of the direction of your desires so that you avoid being ensnared by them.  True progress is made,  however, when  all the lessons of the preceding trees have been linked together with Ivy, in such a way that the light can still enter and no limb need break. 

Stone ~ Serpentine

Striking green stone with light and dark hues and white or black speckles, relatively soft, associated with Scorpio, serpentine increases wisdom and self-restraint. It is said to protect against venom and has many of the same properties as green jade (see above).

 

  Mor Righ Anu

Morrigan's Harvest


When the Morrigan moves through the fields
Only she the white is seen at the sky.
Single dark fogs fly across the heaven
and clothe the great Queen like a splendid robe.

When the Morrigan moves through the fields
She is bare, only her black hair covers her
Followed by a flock of crows
She strides through the world
The crows shriek hurries on ahead of her,
heralding of her harvest

When the Morrigan moves through the fields
She is Destroyess and Mistress of the world
One glance into her mirroring eyes
Leeds you across without pain
Every burning sorrow she takes away
in her cool black boat.

Roibin 

 

Morrigan's Shrine

 

 

Poem by Algernon Charles Swinborne …..   

 

When the hounds of spring are on winter’s traces,

The mother of months in meadow or plain

Fills the shadows and windy places

With lisp of leaves and ripple of rain;

And the brown bright nightingale amorous

Is half assuaged for Itylus,

For the Thracian ships and the foreign faces.

The tongueless vigil, and all the pain.

 

Come with bows bent and with emptying of quivers,

Maiden most perfect, lady of light,

With a noise of winds and many rivers,

With a clamour of waters, and with might;

Bind on thy sandals, O thou most fleet,

Over the splendour and speed of thy feet;

For the faint east quickens, the wan west shivers,

Round the feet of the day and the feet of the night.

 

Where shall we find her, how shall we sing to her,

Fold our hands round her knees, and cling?

O that man’s heart were as fire and could spring to her,

Fire, or the strength of the streams that spring!

For the stars and the winds are unto her

As raiment, as songs of the harp-player;

For the risen stars and the fallen cling to her,

And the southwest-wind and the west-wind sing.

 

For winter’s rains and ruins are over,

And all the season of snows and sins;

The days dividing lover and lover,

The light that loses, the night that wins;

And time remember’d is grief forgotten,

And frosts are slain and flowers begotten,

And in green underwood and cover

Blossom by blossom the Spring begins.

 

The full streams feed on flower of rushes,

Ripe grasses trammel a travelling foot,

The faint fresh flame of the young year flushes

From leaf to flower and flower to fruit;

And fruit and leaf are as gold and fire,

And the oat is heard above the lyre,

And the hoofed heel of a satyr crushes

The chestnut-husk at the chestnut-root.

 

And Pan by noon and Bacchus by night,

Fleeter of foot than the fleet-foot kid,

Follows with a dancing and fills with delight

The Maenad and the Bassarid;

And soft as lips that laugh and hide

The laughing leaves of the trees divide,

And screen from seeing and leave in sight

The god pursuing, the maiden hid.

 

The ivy falls with the Bacchanal’s hair

Over her eyebrows hiding her eyes;

The wild vine slipping down leaves bare

Her bright breast shortening into sighs;

The wild vine slips with the weight of its leaves,

But the berried ivy catches and cleaves

To the limbs that glitter, the feet that scare

The wolf that follows, the fawn that flies  

 

And by Christina Georgiana Rossetti 1862

 

Oh roses for the flush of youth,

And laurel for the perfect prime;

But pick an Ivy branch for me

Grown old before my time.

 

Botanical Information

 

Ivy is also a vine.  It grows to 100 feet long in forests and around human dwellings, where it is planted as a ground cover.  Ivy produces greenish flowers before Samhain on short, vertical shrubby branches.  The leaves of these flowering branches lack the characteristic lobes of the leaves of the rest of the plant.  Like holly, ivy is evergreen, its dark green leaves striking in the bare forests of midwinter.  It is a member of the Ginseng family.

 

This is the Moon honored annually by the Ivy Girls.  Taking our name from the Bassarids, this is a small telling…  

They were classified as wild, ecstatic women. They were shapeshifters, wearing fox skins and lion pelts. They were intoxicated on their own ecstasy. They were sacred prostitutes in a time when sexuality was considered a gift from the Goddess, so sacred to life that the art of lovemaking was taught by these sacred women in the temples of the Goddess.

"The Maenads of sixth century B.C.E. were famous for their “orgiastic” rituals, not only throughout Greece and Turkey, but also in Thrace (Bulgaria), Italy (the Etruscans), and the land of the Scythians. A Thracian vessel depicts a Double Axe, below which is a series of Goddesses and objects that could be either daggers or sheaves of wheat. In a description that matches female images on vessels in ancient Sumer, we’re told of Thracian “orgiastic rites which took place in the mountains by night ... (where) the women, clad in animal skins, and having snakes and daggers in their hands, danced exciting, whirling dances.” In Thrace (Iron Age Burgaria), this Goddess (a version of Artemis) was known as Bendis. A mural in Crete shows a woman whirling as far back as the Bronze Age, predating Sufi dancing by more than two millennia. A Greek vase showing pairs of women dancing with lotus flowers in their hands could be a Western counterpart to the Indian yoginis engaged in nocturnal assemblies." 

(Vicki Noble, The Double Goddess, pg. 92)

This is our Sacred Moon, the Ivy Moon. It was the season of the Bacchanal revels of Thrace and Thessaly in which the Bassarids, intoxicated on their own ecstasy, dancing their ecstatic dances, rushed wildly about on the mountains, waving the fir-branches of Bendis, spirally wreathed with Ivy - the yellow berried sort - with a Roebuck tattooed on their right arms above their elbow.

For more information please click on Ivy Girls

 

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deanne quarrie